The Meadows, located at 17 Meadow St in Brooklyn, NY 11206, emerged in the mid-2010s as a distinctive nightclub and event venue in the heart of East Williamsburg, an area known for its vibrant underground music and party scene. The venue quickly gained recognition for its commitment to showcasing both emerging and established talent across a wide spectrum of electronic, hip-hop, and indie genres. Originally a converted warehouse, The Meadows maintained much of its industrial charm, featuring high ceilings, exposed brickwork, and minimalistic décor, creating an intimate yet edgy atmosphere ideal for late-night revelry.

Over time, The Meadows built a reputation for inclusive and diverse lineups, championing local talent alongside globally renowned artists, and became a hub for creative communities seeking alternative nightlife experiences beyond Manhattan's more commercial clubs. The venue's adaptability allowed it to host everything from immersive art installations and fashion events to all-night DJ sets and live performances. Throughout its operation, The Meadows underwent minor refurbishments to enhance acoustics and lighting while preserving its raw, underground vibe.

Its cultural significance is tied to its role in sustaining Brooklyn's independent nightlife ecosystem during a period of rapid gentrification, offering a haven for both music lovers and creative professionals. Although The Meadows ultimately closed its doors after several years of memorable events, its legacy endures among those who valued experimental programming and the sense of community fostered within its walls. Notable artists who have performed at The Meadows include internationally acclaimed acts such as Four Tet, Jamie xx, and Bonobo, as well as beloved local DJs and collectives like The Lot Radio residents, Umfang, Volvox, and Yaeji.

The venue also provided a stage for rising stars including NAO, Mura Masa, and Princess Nokia, contributing to the breakthrough of many New York City-based artists and collectives in the global music scene.