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Nestled in the vibrant heart of Shibuya, Tokyo, Knock has cemented itself as a beacon within the electronic music scene since its inception. Founded in the early 2010s, the venue emerged out of a collective desire to create a space that marries the raw energy of underground music with Tokyo's pulsating nightlife. Initially located in a more subdued part of the city, Knock quickly gained a reputation for its cutting-edge sound system and intimate atmosphere, prompting a move in 2015 to its current, more central location.

This relocation allowed for an expanded capacity and a revamp of its acoustics and lighting, further solidifying its status as a premier destination for electronic music enthusiasts. Knock's cultural significance in Tokyo's nightlife is profound, acting as a conduit between local talent and the global electronic music community. The club's ethos revolves around fostering a symbiotic relationship between artists and audiences, creating a unique space where music acts as a universal language.

Over the years, Knock has been instrumental in introducing Tokyo's club-goers to a diverse range of electronic subgenres, often featuring groundbreaking performances that blend traditional Japanese elements with modern electronic sounds. The venue's commitment to inclusivity and musical diversity has not only attracted a dedicated local following but also garnered international acclaim. The artist roster at Knock reads like a who's who of electronic music innovators.

International luminaries such as Nina Kraviz, Jeff Mills, and Ben UFO have graced its decks, bringing their unique sounds to the Tokyo faithful. Simultaneously, Knock has been a launchpad for local talents like DJ Nobu, Powder, and Soichi Terada, giving them a platform to showcase their artistry on a global stage. This blend of international stars and local heroes has fostered a dynamic and ever-evolving musical landscape within the club, ensuring that Knock remains at the forefront of Tokyo's electronic music scene.

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Past Artists

UPDATED : 15 October 2025 at 15:07