Cube Microplex is an independent arts venue located in Bristol, United Kingdom, known for its vibrant fusion of cinema, music, performance, and alternative cultural events. Established in 1998 by a collective of artists, filmmakers, and enthusiasts, the Cube occupies a former 1950s auditorium and community center, hidden within the heart of Bristol. The founders sought to create an autonomous, volunteer-run space dedicated to providing an experimental and non-commercial platform for creative expression.
Over the years, the Cube Microplex has garnered a strong reputation as a hub for the city’s alternative and underground arts scenes, cherished for its inclusive ethos, non-profit status, and its commitment to showcasing diverse, boundary-pushing work. Culturally, the Cube is seen as a vital fixture in Bristol’s landscape, supporting projects ranging from independent film screenings and live music to workshops, community initiatives, and political activism. The venue has, since its inception, maintained its original location at Dove Street South, preserving much of its quirky character and resisting the commercial pressures that have reshaped many similar spaces over time.
Structural changes have largely revolved around gradual, community-driven improvements—extending its bar, upgrading technical facilities, and making the space more accessible—without sacrificing its distinctive DIY spirit. The Cube’s unique programming and collaborative culture have helped launch and support both emerging and established artists and have fostered a loyal, engaged audience. Notable artists who have performed at Cube Microplex include international acts such as Lee Ranaldo (of Sonic Youth), Thurston Moore, and avant-garde jazz musician William Parker, as well as local luminaries like Massive Attack’s Daddy G in DJ sets, experimental collective Pram, and celebrated Bristol-based musicians such as Rachael Dadd, The Liftmen, and Get the Blessing.
The venue has also hosted performances and screenings by influential filmmakers and artists such as Vicki Bennett (People Like Us), John Maus, and emerging visual and musical artists central to Bristol’s creative scene.
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