Jasmine Guffond is an Australian composer, sound artist, and musician whose work bridges the realms of experimental electronic music, sound art, and science. Based primarily in Berlin, Guffond is known for her finely detailed compositions that interrogate the intersections of sound, surveillance, data, and digital technologies. Her practice explores sonification, turning intangible aspects of the digital world into immersive listening experiences, often highlighting the pervasive influence of surveillance and algorithmic systems in contemporary life.
Guffond has released critically acclaimed albums on labels such as Sonic Pieces, Karlrecords, and Editions Mego, and her sound installations and performances have been presented at venues and festivals worldwide, including CTM Festival, Deutschlandradio Kultur, and the Museum of Contemporary Art Australia. Through subtle layering of acoustic instrumentation, processed voice, and electronic textures, she crafts evocative sonic landscapes that invite listeners to attune to both heard and unheard spectrums of their environment. Guffond also holds a PhD in sound studies from the University of New South Wales and continues to collaborate widely across disciplines, contributing to the discourse on listening, privacy, and the role of sound in shaping digital realities.
Experimental - Electronic - Ambient - SoundArt - AvantGarde - Techno